Cinderella – RNZB September 2007

August 31, 2007 at 7:30 pm | Posted in Ballet Review | Leave a comment
Tags: , , , , , , , ,
Aug 31, 2007 by Show_Hanger

I went to the opening night, Friday the 31 of August, of the Royal New Zealand Ballet‘s new production of Cinderella. This is a new work from choreographer Christopher Hampson.

The ballet is in 3 Acts, and opens with a funeral. Actually, the funeral takes place before the beginning of Act I – like the opening scenes in a modern movie, where there is an attention grabbing sequence before the opening credits. The funeral sets the scene and mood for Act I, and takes place behind a black muslin curtain. Anyone who is not familiar with the Cinderella story is left in no doubt that she is an orphan, about to be cast into an uncertain future. Act I is dark and the step-mother and step-sisters cruel and nasty to Cinderella.

Act II takes place at the ball, and here we see the Prince in search of a soul mate. Even at the ball, surrounded by beautiful women – many invited there to meet him – he seems alone. Just when you think the ball is over and the ballet is going to take an unexpected direction, Cinderella appears. the prince comes to life and the rest is history.

Act III is also introduced by a tableau – this time by the corp of Royal shoemakers trying to duplicate the slipper left behind by Cinderella – taking place infront of the curtain. They fail and the Prince has to use the real one on his search for the women who will fit the shoe. The curtain rises and the Prince and his companions search for the Prince. Of course, the Prince finds Cinderella and all is well. One of the step-sisters even ends up with one of the Prince’s companions!

I have never been to a pantomime, but having seen the step-sisters, I have some feel for what a pantomime might be like. I am not saying that the ballet went too far, though some may say it did. For me, the portrayal was just right, it introduced a lighter note to some very dark material. In fact the dancing and acting of Alessia Lugoboni threatened to steal the show – her portrayal of the chirpy airhead step-sister gained this character the sympathy of the audience.

For me the choice of Yu Takayama, Qi Huan and Vivencio Samblaceno as Cinderella, the Prince and the Father, had what must have been an unexpected result. The dark elements were all danced by European looking dancers and the ‘good’ elements of the ballet were played by Asian looking dancers. This provided a visual contrast. There was another more subtle contrast: the Prince and Cinderella danced traditional ballet steps; whereas the step-sisters danced a very character steps. The result was to emphasis the gulf between the dark and the light elements at work. At times it was almost as if there were two ballets going on at once – the new characterisation around the step-sisters and the ball, interleaved with the very traditional stylized Prince and Cinderella. I would really like to see this production on another night with different dancers in the roles of the Prince and Cinderella – to see and experience what it would be like.

I really enjoyed this production: the re-worked story offered those who were familiar with the basic story-line something to hang out for; the costumes, sets and lighting very nice and the dancing was great. The step-sisters were larger than life and you could sense the love-hate relationship building up with the audience. The Prince and Cinderella were picture perfect – to my man-in-the-street-eye they exhibited strong tradition technique: Yu Takayama was light and her split-leaps were effortless and level while, Qi Huan’s fouettes pinpoint.

Some other impressions: guys with wings and a roses sub-theme. Three of the characters who supplied Cinderella with the where withall to get to the ball are insects with wings ! I have not seen men in parts with wings – this is generally reserved for female dancers. The recurring use of the rose motif was also very clever: Cinderella plants a rose on her mother’s grave – which turns into a giant rose bush; under which she is given her ball gown; of a red rose motif as the full moon 3 days after a partial eclipse that produced a ‘blood moon’; and the vital silver rose.

0.3

This performance inspired me to start this blog, and write about art and culture (and maybe other things).

Advertisements

Leave a Comment »

RSS feed for comments on this post. TrackBack URI

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

Blog at WordPress.com.
Entries and comments feeds.

%d bloggers like this: