Sketch: NZ School of dance Choreographic Season 2011

May 19, 2011 at 11:23 am | Posted in Dance Review | Leave a comment
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Just got back from the Reviewer’s Evening of Sketch – the New Zealand School of Dance‘s 2011Choreographic Season – showcasing the choreographic of their senior contemporary dance students. I found it very entertaining; clearly everyone had put in lots of hard work; and good on the choreographers for putting their work on display.

Once again the School managed to surprise me with the way they transformed the foyer. Tonight they had a cellist playing in the Plaza, and visual artwork: a very short silent dance film entitled Aura projected on four large white panels. The film by Emma Cullinan and Holly Macpherson.

The works were:

  • Ignite by Alice Macann
  • Yin for Yang by Kimiora Grey
  • Duck Duck Goose by Fleur Cameron
  • Newton’s Cradle of Flesh by Yan Hao Du and Levi Cameron
  • Fifteen Minutes Left by Carl Tolentino
  • Anoesis by Isabelle Nelson
  • Left Unsaid by Rebecca Bassett-Graham
  • Variations on a Team by Zoe Dunwoodie
  • Shredded Strands by Jonathan Selvadurai
  • Shepherd by Thomas Bradley

Lighting was very effectively used to create mood and support all of the dances.

I found the pas de deux by Katie Baring-Gould and Jonathan Selvadurai in Kimiora Grey’s Yin and Yang quite original and touching. It looks like Grey set out to have the dancers dance while lying down. It was lyrical and touching – not only were the dancers lying down as they flowed over and past each other, but they were seldom out of physical contact with each other.

Fifteen Minutes Left, like a number of works during the evening, required the dancers to do some acting. It was fun and funny. Once again lighting was cleverly used – at times the dancers were contained by rectangles of light projected onto the floor. Most of the time they were constrained by very small T-shirts!

Left Unsaid started a bit slowly, but my hat goes off to Samantha Hines for putting so much of herself emotionally into her performance.

Part way through Variations on a Team, I though “this must have been choreographed by a woman;” and afterwards I found it listed against Zoe Dunwoodie in the programme. This work uses only male dancers who ‘strutted around’ in a number of very stereotypical male ways. It certainly struck a cord with the female members of the audience.

The dancers had superb physiques – perhaps a sign of the hard work they have put in during the course of their training.

If you can get tickets go – at $20 for an adult, it is tremendous value – 10 well danced original works. (and I am not just saying that … see below)

Declaration: I did say “Reviewer’s Evening” at the beginning of this post; the School gave me complementary tickets – it made my week when they offered them to me.

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