Whitireia Polytechnic: Year 1 Commercial Dance Variety Showcase
September 19, 2015 at 7:20 am | Posted in Dance Review, Event Review | Leave a commentTags: Ashley Darbyshire, Brendon Jelley, Caitlin Duffy, Danielle Trewavas, Elizabeth Astwood, Ellie Edwy, Emma Nicholson, Hayley Hart, Jessye Skentelbery, Lilleet Marshall, Mikaela Adlam, Millie Moon, Ria Blom, Sarah Buswell, Whitireia
As I have said in the past Whitireia’s commercial dance faculty put on a great show. There is very little commercial dance performed in Wellington, and while Whitireia produces around 15 dancers each year, most end up dancing overseas. So the only opportunity to see ‘commercial dance’ in Wellington, on a regular basis, is to go to Whitireia’s end-of-year dance showcases.
This year the choreography seemed to have a little extra from some other years.
Numbers that stuck in my mind: Amadeus Mozart Requiem; “Get the Funk Up” Batman (there can’t be a single piece batman outfit left in Wellington!); Tequila (the audience was smiling and probably remembering personal encounters with drink :-)); Rock ‘n’ Medley; and Waiting for the Train.
The dancers all demonstrated an amazing versatility. Millie Moon, the dance captain, stood out. The dance captain seems to be a new innovation in the Whitireia dance programme – at least this is the first year that it has been publicised.
The dancers’ joy and energy made for a great performance. You should have gone.
There was a new feature this year: the Year 1 Circus students did a per-show, and a skit at the beginning of Act Two.
A Midsummer Night’s Dream (RNZB, 2015)
September 5, 2015 at 12:45 am | Posted in Ballet Review, Dance Review | Leave a commentTags: A Midsummer Night's Dream, Aotea Centre, Kendall Smith, Liam Scarlett, Lucy Green, Mendelssohn, Nigel Gaynor, Paul Matthews, RNZB, Royal New Zealand Ballet, Shane Urton, Shaun James Kelly, Tracy Grant Lord
I saw Royal New Zealand Ballet’s production of this the other night at the Aotea Centre – ASB Theatre in Auckland.
This was a brand new production for the Company – choreographed by Liam Scarlett, stage design by Tracy Grant Lord, lighting by Kendall Smith, and music by Nigel Gaynor (after Mendelssohn).
Titania was danced by Lucy Green; Oberon by Shane Urton; Puck by Shaun James Kelly; Botton by Paul Matthews. Green and Urton were nicely paired, and their final pas de deux, when they are reconciled, very touching, very lyrical, with some innovative lifts. Matthews was comical; and played the part to perfection. In some ways, Matthews and Kelly had the more difficult roles, demanding more acting than in most other ballets. Matthews was assisted by a donkey head. Kelly was by parts athletic and mischievous.
I much preferred Act II over the first Act. I found Act I a bit slow, this was understandable, given that it had to set up quite a complex set of mis-understandings and mis-pairings.Puck tries hard, but it is hard to get good help! I would have like to see more of the fairies. Partly because their customs were so good; and mainly because Titania-and-Oberon are Queen-and-King of the fairies, so we should see more of the fairies.
The venue itself was a grand example of a modern theatre – the minimalist lines of wooden interior is very grand.
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