Rogue One

January 2, 2017 at 1:10 am | Posted in Film Review | Leave a comment
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I went to see Rogue One, or as I like to think of it: Star Wars III.IX (3.9), the other night.

Warning: plot elements discussed.

The overwhelming question in my mind was: “How many will survive?” Pre-release trailers show a small group of rebels stealing the plans to the Death Star – the plans ‘stolen at great cost’ delivered in Episode IV to the Rebel Alliance. The mission is a suicide mission -a forlorn hope.

Rogue One is a difficult film to make: it must fit within the canon of the existing seven films, and not constrain (nor contradict) the two remaining films. It cannot be a re-boot: so the clothes and technology must be exactly the same as Episode IV, V, and VI. This means that the the storm trooper’s armour is useless as ever: it offers no protection against blaster fire, offers no protection against blunt force, and offers no protection against fragments. Also, the storm trooper’s marksmanship is deplorable as ever.

Since Rogue One leads directly into Episode IV, some characters from IV need to appear in this movie – some of the original cast are still alive, and some are there is spirit through CGI. One day, not too far away, CGI will be so good, that once an actor has created a sufficiently large body of work – provided enough samples for the computer – the actor can appear in films forever.

It is not quite ‘The Seven Samurai’, ‘The Guns of the Magnificent Seven’, nor ‘Ice Pirates’, but it is close. A bunch of misfits lead by Jyn Erso (played ably by Felicity Jones), another misfit, leads a bigger band of misfits against the might of the empire – albeit composed mainly of inept storm troopers. The tie-fighter pilots are pretty good though. Despite loosely following a classic plot line, Rogue One makes a refreshing change from the cyclic repetition of episode III, IV, and V; and I, II and III.

So Rogue One  is the back story of how the plans for the Death Star were stolen; the back story of why Jyn Erso is the best operative to steal the plans is the real story of Rogue One. We see the forces unleashed at the end of Episode III continue to fracture the republic. The Death Star is intended to re-unite the republic and bring peace to the galaxy. The rebels disagree!

We see Jyn rescued from an imperial prison colony; a band forms around her; and then a one-way mission to a library archive! It is an information manager’s heaven – the rebellion can only be saved by ‘getting out the right book out’.

The are the obligatory gun fights and space battles; but there are many of the same elements as Episode IV: a switch, trapped in a passage with no other way out, fighter bomber runs on a heavily defended target, trust in the force, a talkative droid, Darth Vader walking through blaster fire (the Force works for him too). It is a prologue for Episode IV.

Felicity Jones is no longer the ‘chalet girl’, but she still wears a helmet, and she still has that determined look – just before the last run down the hill and about to enter the heart of the imperial archive.

As to how many of the little band make it out the other side: go see the film.

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