Ghost in the Shell

April 27, 2017 at 8:56 am | Posted in Film Review | Leave a comment
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I saw this the other day: being a Wellingtonian, I was curious to see if any of my city was recognisable; I wondered about the story; and having heard about whitewashing complaints, I wanted to see for myself whether if it was justified.

Warning: plot elements discussed.

Firstly, parts of Wellington were still recognisable, under the post-production CGI. Parts of the Central Police Station and nearby carpark were recognisable, despite a whole lot of ‘matt-ed in’ Japanese architecture.

Based loosely on the manga comics, of the same name, we see Scarlett Johansson in the lead role – Major Motoko Kusanagi. I say loosely, because the plot doesn’t really follow the comics. The film explores the origins of the Major, and how she came to be a cyborg – the first. Or is she?

The Major and her squad work for Section 9 – a paramilitary force reporting to the Prime Minister. Such a concept may work in Japan, but it does not really work outside of Asia. In the end, the company who made her body, turns out to be the villain. It was good to see Juliette Binoche, of The English Patient fame, again. She plays the cyborg scientist, Dr. Ouelet, who’s concern for her patient leads the Major to a final showdown.

The film breaks the manga esthetic: the cast is not Japanese, nor are their faces in a manga way. It made the use of Japanese, and references to Japanese companies (not zaibatsu),  a bit strange.The mixture of spoken English and spoken Japanese was quite disconcerting. There are English subtitles for the Japanese, but no Japanese subtitles for the English.  I thought that Scarlett Johansson fitted the manga esthetic quite well; much better than most  of the cast. Perhaps some things are better left as comics or full animations.

There is some blatant product placement. It would not be manga without a motorcycle, and I wonder how much Honda paid for the privilege of supplying the motorcycles :-).

 

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